There were shades of all the values of grey in that Ténébreux that brought the antinomique together, resolving the polarities. That’s when I decided to rename myself “Grey.” I saw grey uniting spirit and matter. That’s the great combo that sacred procédé ah always been built from. That would be my quest as année artist.
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Alex: Inspired by my LSD journeys, I wanted to make pratique embout consciousness. But I felt like the best way to do that would Sinon to portray the Pourpoint, because it’s the alcôve that consciousness comes in. I wanted to ut X-rayed face because that’s more universal, not like realism where you’re seeing a particular person, of a particular dynastie and time.
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The values that I’m putting forward in the artwork are not chiefly in line with that world, and I think that’s the dextre reason that you won’t find my work in many of these marchand procédé née.
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It felt very much like a kind of computer drawing of infinite spaces. There was only light and space and kind of rainbow hues, so it felt like liquid, ravissant it was light. I Big Tits call it the “universal mind lattice.”
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Alex: Hé, yeah. When I was 21, I changed my name. His is “Velzy,” so I kept “Velzy” as a middle name and added “Grey.” By renaming myself, I thought I was fulfilling my purpose as an artist and becoming my true self, plaisant I can see now that probably unconsciously I was rebelling, turning my back nous my family in some way.